A revised version, of an introductory study addressing the dynamics of cognitive, discursive and narrative diversion and distortion.
First issued in 2003, as a critical exploration of classical cinematic storytelling, involving an integrated interplay of visual, verbal and conceptual Regeneration.
An independent writer and student of deeply deceptive and destructive ideas and illusions, distinguishing a fundamentally fictitious and fallacious human universe.
Previously published; "Diversion; Om hvordan. Og hvorfor vi strever. For å bedras...." "On Presence, Absence and Classical Hollywood Distortion"
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